The earliest recorded performance of Measure for Measure took place on "St. Steven's night", December 26, 1604. During the Restoration, Measure was one of many Shakespearean plays adapted to the tastes of a new audience. Sir William Davenant inserted Benedick and Beatrice from Much Ado About Nothing into his adaptation, called The Law Against Lovers. Samuel Pepys saw the hybrid play on 18 February 1662; he describes it in his Diary as "a good play, and well performed"—he was especially impressed by the singing and dancing of the young actress who played Viola, Beatrice's sister (Davenant's creation). Davenant rehabilitated Angelo, who is now only testing Isabella's chastity; the play ends with a triple marriage. This, among the earliest and clumsiest of Restoration adaptations, appears not to have succeeded on stage.
Charles Gildon returned to Shakespeare's text in a 1699 production at Lincoln's Inn Fields; he removed Beatrice and Benedick, but he also removed all of the low-comic characters. Moreover, by making both Angelo and Mariana, and Claudio and Juliet, secretly married, he eliminates almost all of the illicit sexuality that is so central to Shakespeare's play. Gildon also offers a partly facetious epilogue, spoken by Shakespeare's ghost, who complains of the constant revisions of his work. Like Davenant's, Gildon's version did not gain currency and was not revived.
John Rich presented a version closer to Shakespeare's original in 1720.
William Poel produced the play, with himself as Angelo, in 1893 at the Royalty and in 1908 at the Gaiety in Manchester. In line with his other Elizabethan performances, these used the uncut text of Shakespeare's original with only minimal alterations. The use of an unlocalized stage lacking scenery, and the swift, musical delivery of dramatic speech set the standard for the rapidity and continuity shown in modern productions. Poel's work also marked the first determined attempt by a producer to give a modern psychological or theological reading of both the characters and the overall message of the play.
Notable recent productions of Measure for Measure are Peter Brook's 1950 staging at the Shakespeare Memorial Theatre with John Gielgud as Angelo, Charles Laughton as Angelo at the Old Vic Theatre in 1933, and a 1976 New York Shakespeare Festival production featuring Meryl Streep as Isabella and John Cazale as Angelo. The play has only been produced on Broadway once, in a 1973 production that featured David Ogden Stiers as Vincentio and Kevin Kline in the small role of Friar Peter.